I’m happy to announce that I finally have a selection of my work in the Saatchi Art store. Fine art prints of my photographs are now available in various canvas and print sizes. There are framing options available as well. I will be updating the portfolio frequently. Please take a moment to browse the current selection of images by clicking below!
This photograph was not an accident. I did not coincidentally happen upon this beautiful oak just as the sun was about to set on the horizon. Happy accidents are very rare in photography. This image was the result of planning, scouting, and timing. I’m afraid that most people have this idea that photographers walk about aimlessly with their expensive gear and picture opportunities just jump out at them. Then the camera does all the work, right? Nice gear equals nice pics? Not at all. I can’t stress that point enough.
I was recovering from my recent surgery down on the North/South Carolina border near the coast over the holidays and getting very tired of sitting around. I had my camera gear in my backpack and decided to take a drive early one morning and arrived just before sunrise at Sunset Beach, North Carolina. It was surprisingly chilly weather for the low country, but it was great to be out doing my thing again (see images from this outing in the previous post). After my time on the beach, I drove over the border to Vereen Gardens in Little River, South Carolina.
I’d been there before and remembered all the old oaks that hang over the marsh. I remembered the moss swaying from the branches. It seemed like it would be a great area for landscape photographs. Unfortunately, I’d spent so much time on the beach, the sun was too high for the image I imagined. I wanted the trees to be backlit and the moss to have nice rim lighting. I decided to watch the weather forecasts and return one evening when the sun would set behind this particularly interesting tree.
On a clear evening I drove back over to Vereen Gardens with a particular shot in mind. I walked the wooded trails through the marshes to the old oak that I found most interesting. I knew exactly where the sun would rest briefly on the horizon before slipping behind it. There would be only a couple minutes to compose the shot. In order to get a perfect “sun star” I had to wait until the sun was just touching the horizon, then I had to compose the frame (with my tripod in several inches of black mud) so that the light poked through the branches in an aesthetically pleasing spot. I used a narrow aperture of f16 to help give the rays of sunlight more definition. Despite the high contrast in this scene (the extreme brightness and extremely dark shadows), I ended up not having to use exposure bracketing. I bracketed several exposures anyway, but the dead-centre exposure was balanced enough that there was plenty of dynamic range to pull out detail in the highlights and shadows. The sun dipped behind the tree-line, signalling my time was up. I was pleased with the results when I was able to look at the image on my big screen back in Edmonton.
This image, for me, captures the feel of an evening on the Carolina coast. Warm light, Spanish moss, salty marshes, and huge live oaks are characteristic of the region. I am happy I was able to make an image that seems wild and untouched in an area so densely developed and over-overpopulated. It’s the natural South in a single frame.
“I think a photograph, of whatever it might be – a landscape, a person – requires personal involvement. That means knowing your subject, not just snapping away at what’s in front of you.” - Frans Lanting
Happy New Year!
2018 was a wild one! Despite a few health issues, I had one of my most photographically productive years. I got to visit (and revisit) some amazing locations in North America and Europe. I’m thankful to have been able to do most of it with my awesome and ever-supportive wife, Alison. Together we travelled to Europe to meander the ancient streets of Prague, Budapest, Munich, and Vienna. In addition to that trip, I visited the awe-inspiring Khutzeymateen Inlet in British Columbia to photograph wild grizzlies in a pristine coastal-rainforest habitat. The year also included time in Dinosaur Provincial Park and, of course, the Canadian Rockies. I’m looking forward to visiting some new places in 2019. Wish me luck…
Thanks to all the readers of this blog and especially the email subscribers! To subscribe to the email list, click here. For your viewing pleasure, here’s a slideshow of some of my favourite images from 2018:
Hover over the image for information.
It’s been a while since my last post. I’d like to say that I spent the last month lying on a warm beach somewhere sipping drinks out of hollowed out fruit….not exactly. My annual trip to North Carolina for Thanksgiving didn’t go as planned. A sudden battle between my pancreas and gallbladder upon arrival resulted in a week-long hospital stay and surgery (my gallbladder lost the battle). Instead of flying back to Canada to finish up the last of 2018’s projects as planned, I ended up staying with my folks in southeastern North Carolina for 5 weeks while I recovered from surgery. Despite feeling like fresh crap for several weeks, I did enjoy spending extra time with family and friends. I arrived home to frigid and snowy Alberta only a couple days ago. On the bright side, at least I missed a whole month of Canada’s winter!
During my stay in the low country I was able to get out with camera in hand a couple times. Though it was much warmer in coastal N.C. than Alberta, it was still not nice enough to enjoy the beach properly. I was happy to be out of the hospital bed nonetheless, even if a winter jacket and gloves were necessary. Mornings on North Carolina’s beaches in the off-season are very peaceful.
I’m feeling much better now and am settling in at home, but I have just begun looking at the images I made down in the coastal plains. Here are a few photos from a couple very chilly outings on Sunset Beach, North Carolina. More to come. As always, thank you for your patience and support. - Jon