It seems the latest trend in landscape photography is to capture scenes during “blue hour.” That’s not sunrise or sunset, but the time just before sunrise and just after sunset. Essentially twilight: the time between night and day when the sun is below the horizon and the sky is dark blue, but not black as night. When in the field, I always used this time to prepare for the sunrise or hike out of the woods in near darkness while I could still just see the path. On my recent trip to Budapest, Hungary, it was my favourite time of day to shoot.
Twilight is the best time to capture cityscapes when the lights are on. This isn’t night photography. By the time the sky is black it is difficult to get good exposures. The city lights can be blown out and the sky and shadows can be plunged into the blackest part of the camera’s histogram. At twilight, it is much easier to get even exposures. This time of day only happens briefly, just as sunrise and sunset do. When it comes to photographing cities and architecture outdoors, one can still capture great images even if sunrise and sunset are a bust. City street lights are typically turned off just before the sun comes up and turned on just after the sun goes down when there is no colour (except that ethereal blue cast) left in the sky. So, it’s worth getting out earlier and staying out later.
During my trip to Budapest, I was struck by the architecture and how photogenic the city is. There is an amazing view of Budapest’s grand architecture from any point along the Danube. Most of my images were made during twilight from Fisherman’s Bastion, Buda Castle, or the banks of the river near the famous Chain Bridge. I experienced some great light during sunrise and sunset, but when the city lights were on at twilight (“blue hour”), that’s when the magic really happened.