Photography

Seasonal Transitions, White-tailed Jackrabbit

Sometimes I don’t have to go far for wildlife opportunities. I live in a city of almost a million people, yet native animals can be found right outside my door. Alberta’s white-tailed jackrabbits have suffered habitat loss due to farming on the prairies, but are thriving in the city limits where they have few predators and an abundance of food. As long as they watch for traffic, they have little to fear on the streets of Edmonton, even in the town’s most populated neighbourhoods.

In winter, these large hares are pristine white and blend in with the snow perfectly. In spring, just as the snow melts and muddy earth tones return, the rabbit’s fur changes along with it, gradually changing from winter white to brown.

White-tailed Jackrabbit in spring, Edmonton, Alberta, Canada (Nikon D750,  Nikon 200-500mm f5.6 VR , 500mm, f/5.6, 1/1000 sec, ISO 1600)

White-tailed Jackrabbit in spring, Edmonton, Alberta, Canada (Nikon D750, Nikon 200-500mm f5.6 VR, 500mm, f/5.6, 1/1000 sec, ISO 1600)

Winter in Canmore, Alberta

I never gave Canmore a chance before. It was always just a small area I stopped in to fill up the gas tank on my way to Banff. A couple weekends ago, I decided there had to be more to it. I booked an affordable last minute hotel in Canmore on booking.com deciding it was close enough to Banff to be a base for a long weekend photo trip/getaway for my wife and me. I was surprised to find that beyond the Trans-Canada Highway and behind the trees was a nice little mountain town nestled along the Bow River with all the necessities, and even a few good restaurants and decent shopping.

It was bloody cold. We had been experiencing an extended deep freeze up in Edmonton with high temps hovering around 0°F and below. The Rockies southwest of Edmonton are actually a bit warmer on average, but this weekend the temps in the Banff/Canmore areas dropped significantly below average. Each morning we went out for sunrise at -20°F or below with mid-day highs not much warmer. The sky was 100% cloudless the whole time. That might seem nice to most, but for photographers, it means almost colourless skies for sunrise and sunset. Of course, the temps rose back up into the 20s and 30s just after we left. My fingers froze with two pairs of insulated gloves on. My wife faired a bit better- she doesn’t have to take her hands out of the pockets of her parka to fiddle with cameras like I do. No frost-bite developed, though, I’m sure it came close.

The Problem with Canmore

I had a few locations I wanted to visit in and around town. Scouting them out on the first day, I found that, though Canmore is surrounded by beautiful dramatic mountain scenery (and has several large parks and lakes with mountain views), town planners had no interest in preserving the views. Every view of iconic peaks like Three Sisters and Ha Ling Peak along Canmore’s trails was blocked by crisscrossing power lines. It was frustrating; Banff and Jasper don’t really have this issue. I assume that’s why I don’t really see much landscape photography from the Canmore area despite it’s dramatic setting. Thankfully, you don’t have to go that far outside of the town’s boundaries to get to pristine natural areas.

One of the few views of Three Sisters (two of the three) in Canmore free of power lines. Shot from a bridge in town centre.

One of the few views of Three Sisters (two of the three) in Canmore free of power lines. Shot from a bridge in town centre.

Photographing Three Sisters

The best spot to shoot Canmore’s well-known mountains unobstructed is along Policeman Creek. It’s no secret. Though, it’s not the easiest location to get to, especially in deep winter in a couple feet of snow. This location is so frequented by photographers, however, that several trails had been worn into the snow already. Because most of the creeks and streams were frozen, it may have actually have been a bit easier to hike around in late winter than spring and summer.

The Peaks of Three Sisters at Sunrise, Canmore, Alberta

The Peaks of Three Sisters at Sunrise, Canmore, Alberta

This is not an official area with any sort of infrastructure for pedestrians. It’s not an official trail. You have to park at the small gravel lot for the off-leash dog area on the Bow Valley Trail (1A), walk across the road (often there’s lots of traffic), and then walk underneath the railroad tracks following the stream until you get to Policeman Creek and eventually the Bow River. The reward is unobstructed views of Three Sisters in a natural willow and evergreen forest. In winter at really low temps, mist rises off the Bow River and frosts the trees. It’s magical, but bitterly cold.

Mist rising from the Bow River at -30°F, Canmore, Alberta

Mist rising from the Bow River at -30°F, Canmore, Alberta

The snow was so tracked out it was difficult to find good foreground compositions, so I did my best framing tighter compositions to exclude human footprints. Had there been fresh snow, this would have been less of an issue.

Ha Ling Peak and the Bow River at Sunrise, Canmore, Alberta

Ha Ling Peak and the Bow River at Sunrise, Canmore, Alberta

Outside Canmore: Castle Mountain and Grotto Canyon

During our weekend in the Rockies the Bow Valley Parkway was closed for maintenance. It is one of my favourite drives in the Canadian Rockies, so it was unfortunate, but we were still able to visit Castle Junction near Banff for a sunset shoot. The light was good, but it was very windy on the Bow River. This was the coldest I’ve ever felt in my life! My hands have still not fully recovered.

Castle Mountain Sunset, Banff, Alberta

Castle Mountain Sunset, Banff, Alberta

Grotto Canyon is located along the Bow Valley Trail south of Canmore. It was a beautiful hike through dense snow covered evergreens that eventually opened up into a deep canyon with high vertical walls. The only issue is that there’s a magnesite plant located right next to the trail. For the first 1/2 hour of the hike, it’s loud and annoying. Once you reach the canyon, you can’t hear anything but nature- thank goodness. The best part of this hike for me was seeing the 500-1000 year old pictographs painted on the canyon walls. They’re eroding away with time and most aren’t easy to make out (people also like to rub them for good luck, or to posses shamanistic powers, or because they’re gluten free…I don’t know why people need to touch them…). A few are still pretty visible. Being alone in the canyon by the pictographs is like stepping back in time.

Pictographs in Grotto Canyon, Alberta

Pictographs in Grotto Canyon, Alberta

Close-up of 500-1000 year-old Pictograph, Grotto Canyon, Alberta

Close-up of 500-1000 year-old Pictograph, Grotto Canyon, Alberta

On our way farther down the Bow Valley Trail, we came across bighorn sheep grazing on a hillside with a dramatic mountain backdrop. There are few places to pull over on this road. We found a trailhead parking lot and managed to get close enough photograph the sheep (all female) with a long lens without disturbing them. I’m always hoping for a good wildlife encounter on these trips, so I’m glad I at least got to spend time watching these sheep.

Rocky Mountain Bighorns, Canmore, Alberta

Rocky Mountain Bighorns, Canmore, Alberta

A Photographer’s Gotta Eat

Despite nearly freezing to death each day, we did eat well and warm ourselves in some very cozy restaurants. My favourite thing about Canmore is actually the food. I’ve never been impressed with Banff’s pricey restaurants, and Jasper practically has none (I’m exaggerating…it has very few). We ate at the Famous Chinese Restaurant twice because it’s the best (American-style) Chinese we’ve had since moving to Canada. There are things on their menu I haven’t eaten since leaving the U.S. We loved it, and it’s cheap. We also enjoyed amazing bagel sandwiches and coffee at Rocky Mountain Bagel Co. After our frigid sunrise hike around Policeman Creek, we stuffed ourselves with a nice hot breakfast at Craig’s Way Station. Those pancakes sure hit the spot!

Overall it was an excellent weekend, and I came away with few decent images and ideas for summer and fall shoots. I plan on staying in Canmore again as an alternative to pricey and touristy Banff, if not for the nature, then for my new favourite restaurants.

B-Roll:

Thanks for reading and happy shooting!

Fine Art Prints Are Now Available!

I’m happy to announce that I finally have a selection of my work in the Saatchi Art store. Fine art prints of my photographs are now available in various canvas and print sizes. There are framing options available as well. I will be updating the portfolio frequently. Please take a moment to browse the current selection of images by clicking below!

Behind the Image: Sun, Oak, and Marsh

This photograph was not an accident. I did not coincidentally happen upon this beautiful oak just as the sun was about to set on the horizon. Happy accidents are very rare in photography. This image was the result of planning, scouting, and timing. I’m afraid that most people have this idea that photographers walk about aimlessly with their expensive gear and picture opportunities just jump out at them. Then the camera does all the work, right? Nice gear equals nice pics? Not at all. I can’t stress that point enough.

I was recovering from my recent surgery down on the North/South Carolina border near the coast over the holidays and getting very tired of sitting around. I had my camera gear in my backpack and decided to take a drive early one morning and arrived just before sunrise at Sunset Beach, North Carolina. It was surprisingly chilly weather for the low country, but it was great to be out doing my thing again (see images from this outing in the previous post). After my time on the beach, I drove over the border to Vereen Gardens in Little River, South Carolina.

I’d been there before and remembered all the old oaks that hang over the marsh. I remembered the moss swaying from the branches. It seemed like it would be a great area for landscape photographs. Unfortunately, I’d spent so much time on the beach, the sun was too high for the image I imagined. I wanted the trees to be backlit and the moss to have nice rim lighting. I decided to watch the weather forecasts and return one evening when the sun would set behind this particularly interesting tree.

An old oak by the intracoastal marsh, near Little River, South Carolina. (18mm, f16, 1/40 sec, ISO 100, tripod)

An old oak by the intracoastal marsh, near Little River, South Carolina. (18mm, f16, 1/40 sec, ISO 100, tripod)

On a clear evening I drove back over to Vereen Gardens with a particular shot in mind. I walked the wooded trails through the marshes to the old oak that I found most interesting. I knew exactly where the sun would rest briefly on the horizon before slipping behind it. There would be only a couple minutes to compose the shot. In order to get a perfect “sun star” I had to wait until the sun was just touching the horizon, then I had to compose the frame (with my tripod in several inches of black mud) so that the light poked through the branches in an aesthetically pleasing spot. I used a narrow aperture of f16 to help give the rays of sunlight more definition. Despite the high contrast in this scene (the extreme brightness and extremely dark shadows), I ended up not having to use exposure bracketing. I bracketed several exposures anyway, but the dead-centre exposure was balanced enough that there was plenty of dynamic range to pull out detail in the highlights and shadows. The sun dipped behind the tree-line, signalling my time was up. I was pleased with the results when I was able to look at the image on my big screen back in Edmonton.

This image, for me, captures the feel of an evening on the Carolina coast. Warm light, Spanish moss, salty marshes, and huge live oaks are characteristic of the region. I am happy I was able to make an image that seems wild and untouched in an area so densely developed and over-overpopulated. It’s the natural South in a single frame.

“I think a photograph, of whatever it might be – a landscape, a person – requires personal involvement. That means knowing your subject, not just snapping away at what’s in front of you.” - Frans Lanting